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12

Jan

Chungking Mansions, the Hong Kong meeting place of China, India and Africa

“But what made it truly interesting, dare one say important, was its place in the trade of the dominant consumer technology of our time: the cellphone.”

-Howard French describes “a massively hulking apartment block of heavily weathered concrete” in “Upwardly Mobile” for Caravan

12

Oct

Shanghai: The Vigor in the Decay

Ian Johnson reviews a new book of photos and poetry by Howard French and Qiu Xiaolong.

09

Oct

In large part because of its newness, South Sudan is an extreme example of a phenomenon taking place all over sub-Saharan Africa. Here, a combination of some of the world’s most vigorous economic growth—at least a dozen African economies have grown by 6 percent or more a year for six straight years—and the planet’s fastest urbanization rates are creating new cities and reshaping existing ones on a scale exceeded only by China.
Howard French, who took the portraits on the cover of Chinese Characters, introduces another fast-changing land in “Continental Shift” for Architectural Record.

26

Sep

08

Sep

Howard French, who took the cover images for Chinese Characters, has a photo and poetry book with Qiu Xiaolong, out Sept. 20. But you can pre-order a copy now: Disappearing Shanghai

Howard French, who took the cover images for Chinese Characters, has a photo and poetry book with Qiu Xiaolong, out Sept. 20. But you can pre-order a copy now: Disappearing Shanghai

04

Sep

世界新聞網-北美華文新聞、華商資訊 - 加大教授華志堅談中國變遷

A Chinese-language promo for the Chinese Characters book launch at the Asia Society on September 17.

September 17 in New York: Book Launch at the Asia Society

Chinese CharactersJoin co-editor Jeffrey Wasserstrom and contributors to this provocative new book for a conversation challenging familiar media stereotypes of China. In Chinese Characters: Profiles of Fast-Changing Lives in a Fast-Changing Land, some of the most talented and respected journalists and scholars writing about China today create a multifaceted portrait of a remarkable country undergoing extraordinary transformations by portraying the immense variety of lives that ordinary Chinese people are living. Speakers include: writer Xujun Eberlein; journalist and translator Megan Shank; journalist and photographer of the book’s cover images Howard French; and media commentator, professor, and Asia Society fellow Jeffrey Wasserstrom. Followed by a book sale and signing.

Get tickets the Asia Society website. Not in New York? Watch the free webcast at AsiaSociety.org/Live at 6:30 pm ET.

28

Aug

Meet the contributors to Chinese Characters: Howard French
Tell me about the first time you went to China.
The first time I went to China was in the spring of 1998, when I visited as a fellow of the East West Center, in preparation for my posting to Tokyo as bureau chief there for The New York Times. This was five years before I would move to Shanghai as bureau chief there for the paper, and this Beijing visit constituted one of my first East Asian experiences. The city was clearly already in the throes of very massive and rapid change, but just as clearly, it seemed like the work that remained to be done in fashioning a modern city outstripped what had recently been accomplished. Friendship stores were still a big deal, for example, and the airport was a mess, as were China’s airlines.
What was the most interesting thing you learned from photographing people in China?
My documentary photography in China taught me a great many things. In order to create the kinds of images that one finds in my book (Disappearing Shanghai: Photographs and Poems of an Intimate Way of Life), I had to learn to linger in settings and with people in a way that foreign correspondents seldom do. In doing so, I came to know the rhythms and fabric of daily life of the people in this great city, and indeed in China as a whole, to a degree that I would never have through reporting alone. In the six years I worked photographing these subjects, I also got to know a great many “ordinary” people who I otherwise would never have known, and in many cases I won their friendship and earned their trust.
Where are you right now and what are you working on?
I am in Chengdu at the moment, wrapping up a two month stay in China. I’ve spent three or four months of the year in the country every year since leaving the Times and Shanghai in 2008 to teach at Columbia University’s Graduate School of Journalism. This time, I chose to spend almost all of my time in Sichuan, mostly avoiding the very familiar cities of the east coast. I rented an apartment in Chengdu as a base, but I have roamed widely this summer in western Sichuan, photographing life in little towns and the countryside there. Prior to arriving in Chengdu, I spent a week in Hong Kong, participating in a conference about China’s relationship with Africa, which is subject of my next book. Before arriving in East Asia, I spent the first two months of the summer traveling widely in Africa.
Howard W. French is an associate professor at the Graduate School of Journalism, Columbia University and a longtime former foreign correspondent and senior writer for The New York Times. He has been a bureau chief in China, Japan, West and Central Africa and Central American and the Caribbean. His portraits of everyday life in China are on the cover of Chinese Characters.

Meet the contributors to Chinese Characters: Howard French

Tell me about the first time you went to China.

The first time I went to China was in the spring of 1998, when I visited as a fellow of the East West Center, in preparation for my posting to Tokyo as bureau chief there for The New York Times. This was five years before I would move to Shanghai as bureau chief there for the paper, and this Beijing visit constituted one of my first East Asian experiences. The city was clearly already in the throes of very massive and rapid change, but just as clearly, it seemed like the work that remained to be done in fashioning a modern city outstripped what had recently been accomplished. Friendship stores were still a big deal, for example, and the airport was a mess, as were China’s airlines.

What was the most interesting thing you learned from photographing people in China?

My documentary photography in China taught me a great many things. In order to create the kinds of images that one finds in my book (Disappearing Shanghai: Photographs and Poems of an Intimate Way of Life), I had to learn to linger in settings and with people in a way that foreign correspondents seldom do. In doing so, I came to know the rhythms and fabric of daily life of the people in this great city, and indeed in China as a whole, to a degree that I would never have through reporting alone. In the six years I worked photographing these subjects, I also got to know a great many “ordinary” people who I otherwise would never have known, and in many cases I won their friendship and earned their trust.

Where are you right now and what are you working on?

I am in Chengdu at the moment, wrapping up a two month stay in China. I’ve spent three or four months of the year in the country every year since leaving the Times and Shanghai in 2008 to teach at Columbia University’s Graduate School of Journalism. This time, I chose to spend almost all of my time in Sichuan, mostly avoiding the very familiar cities of the east coast. I rented an apartment in Chengdu as a base, but I have roamed widely this summer in western Sichuan, photographing life in little towns and the countryside there. Prior to arriving in Chengdu, I spent a week in Hong Kong, participating in a conference about China’s relationship with Africa, which is subject of my next book. Before arriving in East Asia, I spent the first two months of the summer traveling widely in Africa.

Howard W. French is an associate professor at the Graduate School of Journalism, Columbia University and a longtime former foreign correspondent and senior writer for The New York Times. He has been a bureau chief in China, Japan, West and Central Africa and Central American and the Caribbean. His portraits of everyday life in China are on the cover of Chinese Characters.

22

Jun

Exciting news from Howard French, whose photographs grace the cover of Chinese Characters.

Exciting news from Howard French, whose photographs grace the cover of Chinese Characters.

21

Jun

Chinese Characters contributors in #FPwomeratti

Write Jillian C. York , Katrin Verclas and Lisa Goldman in Foreign Policy.

When Foreign Policy published its 2012 Twitterati 100 list, we could not help but be struck by the lack of women. Of the 100 tweeters Foreign Policy said “you need to follow,” nearly 90 percent are men. Given the strong presence of smart, powerful, influential women on Twitter, we found this a bit hard to take. So, beginning near midnight U.S. East Coast time on Monday, a group of women from around the world created a list of interesting and influential activists, journalists, analysts, economists, geeks and wonks. Within a few hours, we had more than 200 names and our list had begun to make the rounds on Twitter.

Included in the Twitter-crowd-sourced list are Chinese Characters contributors:

Xujun Eberlein (@insideoutchina) — A thoughtful and unique perspective on China.
Angilee Shah (@angshah) — Journalist covering local and international news, with an emphasis on Asia and globalization.

And in the original list:

Howard French (@hofrench) — Journalism professor; former New York Times correspondent in Africa and China.
Evan Osnos (@eosnos) — Staff writer for the New Yorker; former Beijing bureau chief and Middle East correspondent for the Chicago Tribune.
Christina Larson (@larsonchristina) — Contributing editor at Foreign Policy and freelance journalist based in China.

Find more Chinese Characters contributors who tweet in a convenient list.